Skip to main content

Too Good to Sell

This is a topic that is not often enough discussed by dealers.  When is something too good to sell?  For me personally, there are three factors which should be met that tip the balance in favor of not selling an item:

1. The item has great form;
2. great age; and
3. has some personal meaning or importance

Here's a bracelet that fits the criteria for me.  What you have here is a Navajo made 1940s bracelet in the cornstalk pattern.  The corn plant or maize is associated by the Navajo as a sacred plant and is designated with the cardinal point of North.  It is considered a male symbol.  While this isn't probably the very best sandcast bracelet out there, it's very good in its form and finish.  The lines of the corn plant are nice and each branch peaks in a vee.  This vee is desirable in this types of pieces as it shows the sophistication of the carver imparting the shape into the sandstone mold (tufa).  There are older pieces, but this one has nice age.  Note the unpolished patina here as discussed in the earlier post on polishing up antiques.  Pieces of this era, typically unmarked, were not made for the tourist trade.  They were made by Navajo for Navajo.  This is apparent by the heavy weight and overall weighty appearance.

But what else?  There are other sandcast bracelets like this with the age, the symbolism, and the form.  It's the stone.   The original stone in this piece was a turquoise that had been completely ruined by exposure to oil.  So, a replacement was needed.  New turquoise is a very different animal than old turquoise and you have to be very careful in your selection by choosing a piece of stone that is old enough not to be cheap plastic.  This piece was pulled from a Colorado creek by my father in the 1950s.  At some point in my childhood, I was an avid rock collector and my father gave it to me.  I had the piece cut by a very close and old friend to fit the bezel.  It's actually not a turquoise.  It's chrysocolla meandering through a matrix of quartz and metamorphic scree.  All the elements combine and you have a masterwork-- too     good to sell.

I do have other things that I will sell.  Check out the shop!
Crescent City Connection

Comments

Popular posts from this blog

Robert Bricker Foundry: 1800 Degrees or 2,000 Years

  A small element On a cold January morning, I had the distinct honor to visit the Robert Bricker foundry in Virginia. The foundry is part of a large secure industrial complex tucked away in a corner of a small town. When I arrived, Bricker came down from his sprawling perch to meet me. Though I have met him numerously, it's easy to forget how tall he is. We climb flights of stairs before entering his art complex which he has maintained for over four decades. Suddenly, entering the room and seeing the scale of his operation, Bricker seems both imposing and yet not as tall in the context of the high ceilings and sweeping open wall studios. I am endlessly fascinated to hear the story about how artists found their talents and when. At one moment, Bricker brought down a model airplane-- his first project. He had built this airplane as a boy from balsa wood, even making the detailed rivets by snapping off the heads of pins to line the wings. He demonstrated the spring-loaded machi...

An Afternoon at Trimble's Tavern Antiques with Chris and his 'Witnesses of History'

Chris Trimble Trimble's Tavern Colonial Shoe Buckles, a pewter pap boat and riding spurs To spend a few hours shopping at Trimble's Tavern is an extraordinary privilege. And if you chance to engage Chris Trimble, two things become immediately evident. Firstly, you are speaking with one of the most expert pair of eyes in the mid-Atlantic antiques business and secondly, you have come to a place that has been overtaken by an extreme passion for history. From the imposing and rare large scale furniture pieces to the smallest coin, everything here exudes a past-- and when he's able to avail himself (only because he is in such high demand), Chris Trimble will be your guide. His formal education and a lifetime of scholarly study of colonial American history is instantly accessed as he recalls the stories of how he acquired a piece and why it's so important. You will find his shop just as you enter the small town of White...
How Can I Tell if it's Silver or Silver Plated? In the world of antiques, the line between silver and silver-plated can be deceptively thin. As dealers, we’ve all seen it—the moment someone brings in a cherished piece, convinced it’s solid silver, only for a closer examination to reveal otherwise. It’s an easy mistake to make; after all, silver-plated items were crafted to mimic their solid counterparts, often with impressive skill. But understanding the difference is essential, not just for assessing value but for appreciating the craftsmanship and context of each piece. Allow me to share the most reliable methods of identification, each with its own advantages and pitfalls, to help you discern the genuine article from its plated counterpart. You can, of course, reach out to DC Silver (www.dcsilver.com) for guidance about specific items. 1. Hallmark Examination Method : Look for hallmarks or stamps. Sterling silver often bears marks like "925" or "Sterling," wh...